Yeston and Kopit’s Phantom is a musical version of Gaston Leroux’ The Phantom of the Opera. This musical actually predates Andrew Lloyd Webber’s Phantom of the Opera by a few years but, apparently, was never produced on Broadway. Yeston and Kopit’s Phantom is more of an operetta and, in my estimation, carries a bit more stylistic resemblance to late 19th century opera than does Lloyd Webbers version.

The production of Phantom we attended last night was at a local dinner theatre. The show was quite good, but the Beef Wellington could have used more beef and less Wellington. And, the bottom shelf Merlot had oxidized.

I am not a singer and am in no position to critically review anyone who sings on stage. But in my estimation, the entire cast produced very strong and clear voices in a style suitable for the context.

The stagecraft and lighting worked quite well. Three set pieces representing together a foreshortened wall with columns were set on moving platforms that were adjusted by the cast even while they were performing. It successfully gave the impression that many spaces within the building were represented, including a view from backstage toward the performers on stage. Very clever.

This was a perfectly acceptable interpretation of the book Phantom of the Opera. Yet, having seen a good production of Lloyd Webber’s Phantom, I sat the entire time in anticipation of a performance of Lloyd Webber’s musical numbers which never came. This is surely a common affliction.

After a nice evening of musical theatre we stepped into reality. A driving sideways snowstorm had come in to burst our bubble and, naturally, no scraper was to be found in the car.